indistinctly signed, oil on canvas, 51cm x 41cm, unframed, two French 19th century fashion plate engravings, later mounted and framed, 38 x 30cm and 38 x 33cm overall, and a coloured print - First In Venus's Looking Glass, mounted and framed, together with Katie Gilddon (1883-?), Still Life of Flowers including Fritillaries, signed and dated 24-8-45, watercolour, 26cm x 21.5cm, original mount and frame, 51 x 41cm overall, remains of hand written label verso and label of 'J Bryce Smith Ltd, Exhibition Agents & Picture Framers ...', a modern still life of flowers and two birds, gouache on material, mounted and framed, 47 x 32cm overall, and Rabbit Shooting - a modern coloured reproduction after Samuel Howitt, mounted and framed, 48 x 59cm overall (7).
oil painting, scratched and marked, fashion plates and print, staining.
Kate Gliddon, scattered staining, marks and damage, Rabbit Shooting, damages to frame.
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indistinctly signed, oil on canvas, 51cm x 41cm, unframed, two French 19th century fashion plate engravings, later mounted and framed, 38 x 30cm and 38 x 33cm overall, and a coloured print - First In Venus's Looking Glass, mounted and framed, together with Katie Gilddon (1883-?), Still Life of Flowers including Fritillaries, signed and dated 24-8-45, watercolour, 26cm x 21.5cm, original mount and frame, 51 x 41cm overall, remains of hand written label verso and label of 'J Bryce Smith Ltd, Exhibition Agents & Picture Framers ...', a modern still life of flowers and two birds, gouache on material, mounted and framed, 47 x 32cm overall, and Rabbit Shooting - a modern coloured reproduction after Samuel Howitt, mounted and framed, 48 x 59cm overall (7).
oil painting, scratched and marked, fashion plates and print, staining.
Kate Gliddon, scattered staining, marks and damage, Rabbit Shooting, damages to frame.
Do you have something similar to sell? Get your items valued free of charge!