
Signed E. Öhrström. Height with plinth 73 cm
HISTORIAN
Erik Öhrström debuted in 1953 with a large, iron-shaped sculpture, Tjurthead, which represented something completely new in Swedish glass art. At the Triennale in Milan in 1957, this main dominated the entrance to the Swedish department and aroused great prominence. He had, during the 40s, executed a series, in chalk, of powerfully drawn bull motifs that foreshadowed the work. This clear glass sculpture - he would later execute it in coloured versions - was the start of the mighty production of monumental sculpture in glass that would henceforth dominate his business
LITERATURE
Dag Widman, Orrefors One Hundred Years of Swedish Glass Art, 1998. PAGE 59.
Minor chips, stress cracks, for questions and condition report please contact ulrika.ruding@auktionsverket.se or christofer.wikner@auktionsverket.se.
Do you have something similar to sell? Get your items valued free of charge!
The reserve price has not been met. | ||
3 | 12 Sep, 03:55 | 2 742 EUR |
2 | 31 Aug, 04:58 | 2 285 EUR |
1 | 29 Aug, 06:45 | 92 EUR |
Signed E. Öhrström. Height with plinth 73 cm
HISTORIAN
Erik Öhrström debuted in 1953 with a large, iron-shaped sculpture, Tjurthead, which represented something completely new in Swedish glass art. At the Triennale in Milan in 1957, this main dominated the entrance to the Swedish department and aroused great prominence. He had, during the 40s, executed a series, in chalk, of powerfully drawn bull motifs that foreshadowed the work. This clear glass sculpture - he would later execute it in coloured versions - was the start of the mighty production of monumental sculpture in glass that would henceforth dominate his business
LITERATURE
Dag Widman, Orrefors One Hundred Years of Swedish Glass Art, 1998. PAGE 59.
Minor chips, stress cracks, for questions and condition report please contact ulrika.ruding@auktionsverket.se or christofer.wikner@auktionsverket.se.
Do you have something similar to sell? Get your items valued free of charge!
Once again, Stockholms Auktionsverk opens its doors to "Eclectic & Decorative" and presents a catalog filled with delightful offerings. Classical antiques (such as a late Gustavian torchère) share the space with modern paintings (the power line by Otto G is a true highlight). The catalog also features older paintings, high-quality silver, Scandinavian design, and a few rare items. The silver Bezique marker from the Victorian era is just such an obsolete item, something for collectors and connoisseurs.
Among the artworks, there are many familiar names. August Hagborg, Esaias Thorén, Lars Jonsson, Lennart Jirlow, Esther Kjerner, Bengt Lindström, and David Klöcker Ehrenstrahl are just a few of them. There is also a particularly fine winter sky by Anshelm Schultzberg, painted in 1886, a small delicate watercolor from Lofoten by Lars Lerin, three still lifes by Einar Jolin, a couple of smaller compositions by GAN, a few modernist gems by Endre Nemes, and an intense nude study by Endel Köks. The auction's furniture includes pieces by such diverse figures as Gottlieb Iwersson and Josef Frank. Subdued models in the finest woodworking contrast sharply with graphics by Olle Baertling and a collage by Karl Heinz Adler. A number of fine Persian workshop carpets are also available, with a signed Ghom being a fun inclusion.
All in all, the September edition of "Lilla Kvalitén" features over 600 selected lots in various price ranges.
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