BRAUN/HOGENBERG, Loxa (Loja), 1582/93.

Georg Braun (1541-1622)/Frans Hogenberg (c. 1535-1590), "Loxa", engraved and hand-colored city view of Loja in Andalusia (1st state of II, before Hoefnagel's name was erased), from "Civitates Orbis Terrarum", Latin text 1582/93.
Plate: 35 x 49.3 cm.
Sheet: approx. 45.8 x 58.5 cm.

LITERATURE: Koeman 2430 [Loja:41.1] 1582/93.

The highly detailed engraving shows the city of Loja in Andalusia from a bird's-eye view, as the city appeared in the 1560s.
The copperplate engraving by Frans Hogenberg is based on a drawing by the Flemish artist Joris Hoefnagel (1542-1600). He undertook a long journey through Europe between the years 1561-1567 to study cities and customs in different regions. An area that attracted great interest was Andalusia, where Hoefnagel stayed during the years 1563-1565.
The copperplate engraving was originally published in the first atlas of cities, "Civitates Orbis Terrarum", which is also one of the most important geographical and cartographic works of the modern era. The main publisher was Georg Braun, a German theologian who, together with scientists and clergymen, wrote the Latin texts with information on history, geography, architecture, economy, and culture for various regions. The work is an important historical source for modern urban planning and is supplemented with bird's-eye views of cities and their surroundings. The first volume was published in 1572 in Cologne, and the work eventually consisted of 6 volumes with over 500 illustrations published over a span of 45 years. The atlas contains views of various cities in Europe, North Africa, the Middle East, Asia, and parts of America. The non-European cities make up only a dozen or so, which reflects the very limited knowledge of geography outside Europe during the 16th century. Many famous geographers and cartographers collaborated on the creation of the work. Central to its creation was Frans Hogenberg (1535-1590), a Flemish/German painter and engraver who engraved the majority of the cityscapes in "Civitates Orbis Terrarum".
After Frans Hogenberg's death, the plates were kept in Cologne as an inheritance for his son, Abraham Hogenberg. When Abraham passed away in 1653, the plates were sold to Johannes Janssonius, who in 1657 began publishing the atlas with the city views again. Now in eight volumes and in a completely revised form. The illustrations were arranged by country and a large number of new engravings had been added to the work, while outdated images were excluded.
After Janssonius' death in 1664, his grandson, Johannes Janssonius van Waeseberg, inherited the plates, and he in turn used some of them for an atlas that was released in 1682.
In 1694, the plates were acquired by the prolific publisher Frederick de Wit, who organized a new edition, which was also supplemented with additional engravings. At the turn of the 18th century, the plates were owned by the publisher Pieter van der Aa (1659-1733), who published the atlas in 1729. It in turn consists of a mixture of prints from the plates from the 16th and 17th centuries. Finally, the plates (with de Wit's address) were acquired by the publishing house Coven & Mortier (the business operated from 1721 to about 1862).
The various editions that have been printed, and the many reproductions of the images from "Civitates Orbis Terrarum", show the impact this work had over a very long time. In addition to its historical and scientific significance, the work and the images themselves possess great artistic value, which still today attracts both specialized collectors and passionate art lovers.