LISA LARSON. Figure, “Stor Isbjörn” from the series Lill-Skansen, Gustavsberg, designed 1977.
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4628650. LISA LARSON. Figure, “Stor Isbjörn” from the series Lill-Skansen, Gustavsberg, designed 1977.
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4628650. LISA LARSON. Figure, “Stor Isbjörn” from the series Lill-Skansen, Gustavsberg, designed 1977.
Description
Stoneware. Length 22 cm. Height 14 cm.
Lisa Larson (1931-2024) has won the love of the people like no other Swedish ceramist. With warmth and tender humor, she portrayed in ceramics everything from cats and wild animals to toddlers and steady women immersed in reading. Series such as “Lilla Zoo”, “ABC Girls” and “All the Children of the World” became huge successes and Lisa Larson was the single most important artist at Gustavsberg in the 1960s and 70s, from a sales point of view. But also artistically she won successes, among others. a. with bowls and vases in stoneware, which she carved and glazed in abstract patterns. She developed her free artistic expression even more after she left Gustavsberg in 1981, and set up her own workshop. “Pottery for the People,” she never ceased, however. Within the framework of Keramikstudion, she performed new series, which also reached a large audience far beyond Sweden's borders.
4628650. LISA LARSON. Figure, “Stor Isbjörn” from the series Lill-Skansen, Gustavsberg, designed 1977.
Description
Stoneware. Length 22 cm. Height 14 cm.
Lisa Larson (1931-2024) has won the love of the people like no other Swedish ceramist. With warmth and tender humor, she portrayed in ceramics everything from cats and wild animals to toddlers and steady women immersed in reading. Series such as “Lilla Zoo”, “ABC Girls” and “All the Children of the World” became huge successes and Lisa Larson was the single most important artist at Gustavsberg in the 1960s and 70s, from a sales point of view. But also artistically she won successes, among others. a. with bowls and vases in stoneware, which she carved and glazed in abstract patterns. She developed her free artistic expression even more after she left Gustavsberg in 1981, and set up her own workshop. “Pottery for the People,” she never ceased, however. Within the framework of Keramikstudion, she performed new series, which also reached a large audience far beyond Sweden's borders.
