
Glazed earthenware. Diameter 22 cm. Height 11.5 cm.
Background: Mari Simmulson (1911-2000) was the most versatile of all Upsala-Ekebys designers. She was an artist at her fingertips, painted on canvas and ceramics, made public decorations, designed textile patterns, drew joke drawings for Upsala Nya Tidning and designed over 200 series of art wares in ceramics, during her 22 years at the factory.
Mari Simmulson arrived in Sweden as a refugee from the bombing of Tallinn in 1944. She was already a mature artist and it wasn't long before she got a job at the Gustavsberg porcelain factory where she worked mainly with unique sculptures and painting on ceramics. In 1949 she came to Upsala-Ekeby where she stayed.
The question is what impresses most: her painting of the rough chamotte estate, delicate and powerful at the same time, or the modernist art estate of the 50s and 60s with an austere, often carved, and strongly stylized or geometric decor. Regardless, she stands out as one of the leading designers in 20th century Swedish ceramics.
Slight glaze loss on edge.
1 | 5 Mar, 13:14 | 37 EUR |
The reserve price of 37 EUR was met. | ||
1 | 5 Mar, 13:14 | 32 EUR |
1 | 5 Mar, 13:14 | 28 EUR |
Glazed earthenware. Diameter 22 cm. Height 11.5 cm.
Background: Mari Simmulson (1911-2000) was the most versatile of all Upsala-Ekebys designers. She was an artist at her fingertips, painted on canvas and ceramics, made public decorations, designed textile patterns, drew joke drawings for Upsala Nya Tidning and designed over 200 series of art wares in ceramics, during her 22 years at the factory.
Mari Simmulson arrived in Sweden as a refugee from the bombing of Tallinn in 1944. She was already a mature artist and it wasn't long before she got a job at the Gustavsberg porcelain factory where she worked mainly with unique sculptures and painting on ceramics. In 1949 she came to Upsala-Ekeby where she stayed.
The question is what impresses most: her painting of the rough chamotte estate, delicate and powerful at the same time, or the modernist art estate of the 50s and 60s with an austere, often carved, and strongly stylized or geometric decor. Regardless, she stands out as one of the leading designers in 20th century Swedish ceramics.
Slight glaze loss on edge.
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Gårdsfogdevägen 16
168 67 Bromma
Sweden