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Deep inside a dark storage room, where Nils-Erik Wikebäck (1934–2025) once kept his photographic equipment, a long-hidden treasure was discovered. Tucked away in a desk, concealed and forgotten, lay hundreds of vintage photographs – taken and developed by the artist himself. Images from the late 1960s onwards, resting in silence for more than half a century.
Here an artistic practice emerges that worked in obscurity, yet holds a natural place within the photographic movement of its time.
Born on Christmas Eve 1934 in Södra Viker and raised in Lennartsfors in Värmland, Nils-Erik Wikebäck carried with him a lifelong way of seeing – a gaze formed long before the camera became his primary tool. As a self-taught photographer, he took his first steps with simpler cameras before purchasing his first system camera in 1962, a Minolta SR 3. This marked the beginning of a purposeful development in which technical skill and visual sensibility were refined in step with one another.
In 1966, Wikebäck was admitted to the influential "Bildgruppen CAMUS", and it was here that his development took a decisive leap. He encountered like-minded photographers of high ambition – an environment shaped by knowledge, a spirit of experimentation and artistic enquiry.
CAMUS quickly became an established name, not only in Sweden but internationally as well. The group's focus on pictorial quality and technical precision yielded significant achievements on the global stage – something that also came to define Wikebäck's own trajectory.
Over the years, Wikebäck's photography attracted attention in some thirty countries. He was awarded a number of prestigious prizes, including first prize in the RSF jubilee competition in 1967 – with a Hasselblad camera as the prize – major success in the Nikon Photo Contest in Japan, and first prize in the Mästartävlan competition in the magazine Foto. His images were published in international magazines and shown in exhibitions across Europe, the United States and Japan. During the late 1960s he also participated in international exchanges and exhibitions, including in Poland and England, together with fellow members of CAMUS.
This auction presents a unique selection of the artist's own darkroom-developed vintage photographs – images taken in, among other places, London and Warsaw, the majority of which were created during the latter part of the 1960s, a period when his visual language had reached full maturity.
The auction also includes Wikebäck's personal collection of photography books, offering an insight into the photographers who inspired him, among them Irving Penn, Robert Mapplethorpe and Richard Avedon.
Nils-Erik Wikebäck was a photographer's photographer – an uncompromising perfectionist with a profound respect for both the craft and the image. In his work there is a consistent striving for precision and presence, where nothing was left to chance.
The auction also features a number of selected cameras and photographic equipment from other photography enthusiasts.
Message Andreas Siesing
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