
Caesar, Gaius Iulius C. Iulii Caesaris commentariorum. De bello: Gallico, libri VIII., Civili Pompeiano, libri III., Alexandrino, lib. I., Africano, lib. I., Hispaniensi, lib. I., Galliae Hispaniae, locorumque; insignia pictura. Nomina tum vetera, tum recentia, explanata /.../ Cum scholiis Errici . Glareani. Ex. Bibliotheca Aldina, Venice, 1569. Small 8vo in a later half-French binding, possibly late 18th century, with gilt text and decoration on spine and marbled covers. Title page and last page with Aldus famous woodcut emblem, the anchor and the dolphin. Initially illustrated with 2-page woodcut maps of France and Spain, 2 full-page woodcuts entitled Auaricum, 1 full-page woodcut entitled Alexia, 1 full-page woodcut entitled Vxelodunumn and 1 full-page woodcut entitled Massilia. The text is printed in italics and in italics - thus classic Aldus printing. (XII) leaves incl. the woodcuts, 398 leaves. (I) leaves.
The founder of Aldus press was Aldus Pius Manutius, born 1450, died 6 February 1515 active in Venice. He is considered the originator of the Medieval Antikva typeface, and he invented the semicolon. He was also behind the small book in 8vo format, the so-called pocket book. His children and grandchildren took over the printing house in Venice when he died.
The band with some edge wear and slightly rubbed covers. But well put together. Older signatures on the title page and title page. The first leaves with some small worm holes in the lower part. Sheets 153 and 154 with a small burn hole on the right side in the middle.
A few leaves in the introduction with a couple of ink spots. Seven, eight leaves in the introduction brown toned, otherwise a fresh insert. Passages with possibly contemporary handwritten notes in the margins. The cuts with minor spots.
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4 | 27 May, 06:40 | 542 EUR |
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3 | 18 May, 13:47 | 513 EUR |
2 A | 18 May, 13:47 | 468 EUR |
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Caesar, Gaius Iulius C. Iulii Caesaris commentariorum. De bello: Gallico, libri VIII., Civili Pompeiano, libri III., Alexandrino, lib. I., Africano, lib. I., Hispaniensi, lib. I., Galliae Hispaniae, locorumque; insignia pictura. Nomina tum vetera, tum recentia, explanata /.../ Cum scholiis Errici . Glareani. Ex. Bibliotheca Aldina, Venice, 1569. Small 8vo in a later half-French binding, possibly late 18th century, with gilt text and decoration on spine and marbled covers. Title page and last page with Aldus famous woodcut emblem, the anchor and the dolphin. Initially illustrated with 2-page woodcut maps of France and Spain, 2 full-page woodcuts entitled Auaricum, 1 full-page woodcut entitled Alexia, 1 full-page woodcut entitled Vxelodunumn and 1 full-page woodcut entitled Massilia. The text is printed in italics and in italics - thus classic Aldus printing. (XII) leaves incl. the woodcuts, 398 leaves. (I) leaves.
The founder of Aldus press was Aldus Pius Manutius, born 1450, died 6 February 1515 active in Venice. He is considered the originator of the Medieval Antikva typeface, and he invented the semicolon. He was also behind the small book in 8vo format, the so-called pocket book. His children and grandchildren took over the printing house in Venice when he died.
The band with some edge wear and slightly rubbed covers. But well put together. Older signatures on the title page and title page. The first leaves with some small worm holes in the lower part. Sheets 153 and 154 with a small burn hole on the right side in the middle.
A few leaves in the introduction with a couple of ink spots. Seven, eight leaves in the introduction brown toned, otherwise a fresh insert. Passages with possibly contemporary handwritten notes in the margins. The cuts with minor spots.
Do you have something similar to sell? Get your items valued free of charge!
Pablo Picasso, Wiwen Nilsson, and Gerhard Nordström are some of the creators behind the pieces in Crafoord Auktioner's Spring Quality Auction 2023 in Lund. Now, the catalog is here! Welcome to explore a carefully curated selection of art, antiques, jewelry, and design.
But let's start in Finland with a work by the central figure in Finnish ceramics, Rut Bryk. Her many years at Arabia have made her name widely known. At one point, she shared a studio with Birger Kaipiainen. Her production is extensive, but larger wall reliefs are not as numerous. The square-shaped piece in the auction depicts two birds pecking at what is on the ground. The color palette is subdued, typical for Bryk, and stands in stark contrast to Pablo Picasso's bright aquatint print "Fumeur II." The print is rare at auction and holds high international quality. Equally domestic are Gerhard Nordström's nature depictions. The same goes for the auction's selection of rölakan carpets, among which we find Märta Måås-Fjetterström's "Röda åttan" (Red Eight). In addition to these, we also see samples of Simon Gate's visual art, have the opportunity to choose from a variety of Wiwen Nilsson's craftsmanship, and enjoy two Norwegian drink pitchers with centuries of history. The auction also includes a Rolex Datejust, Swedish antique silver, a stunning graal vase by Edvin Öhrström, and much more.
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