ARCHITECTURE. THE DANISH ARCHITECT KAY FISHER'S COPY OF THE MONOGRAPH ON GUNNAR ASPLUND ARCHITECT 1885-1940.
This auction is closed, but maybe you like the following items?
3509615. ARCHITECTURE. THE DANISH ARCHITECT KAY FISHER'S COPY OF THE MONOGRAPH ON GUNNAR ASPLUND ARCHITECT 1885-1940.
Images
3509615. ARCHITECTURE. THE DANISH ARCHITECT KAY FISHER'S COPY OF THE MONOGRAPH ON GUNNAR ASPLUND ARCHITECT 1885-1940.
Description
Architecture. Holmdahl, Gustav & Lind, Sven Ivar & Ödeen, Kjell, editors. Gunnar Asplund Architect 1885-1940. Ritnikngar sketches and photographs published by Svenska Arkitekters Riksförbund.
AB Tidskrift Byggmester, Stockholm, 1943. First Edition. Bound in the publisher's half-parchment ribbon with gilded back text and marbled binders. Richly and beautifully illustrated mostly in black and white but with some colour schemes.. 240 pages.
The original edition includes 1000 numbered ex be this is number 410.
Inlaid is a black and white photograph at Skogskyrkogården where Asplund was the architect.
Provenance. Danish architect Kay Fisker, (1893-1965).
Condition
The band is in good condition with only light traces of use. Inlay with slightly toned margins. A good specimen.
3509615. ARCHITECTURE. THE DANISH ARCHITECT KAY FISHER'S COPY OF THE MONOGRAPH ON GUNNAR ASPLUND ARCHITECT 1885-1940.
Description
Architecture. Holmdahl, Gustav & Lind, Sven Ivar & Ödeen, Kjell, editors. Gunnar Asplund Architect 1885-1940. Ritnikngar sketches and photographs published by Svenska Arkitekters Riksförbund.
AB Tidskrift Byggmester, Stockholm, 1943. First Edition. Bound in the publisher's half-parchment ribbon with gilded back text and marbled binders. Richly and beautifully illustrated mostly in black and white but with some colour schemes.. 240 pages.
The original edition includes 1000 numbered ex be this is number 410.
Inlaid is a black and white photograph at Skogskyrkogården where Asplund was the architect.
Provenance. Danish architect Kay Fisker, (1893-1965).
Condition
The band is in good condition with only light traces of use. Inlay with slightly toned margins. A good specimen.