BENIN BRONZE OBA KING.

Benin Bronze um 1940, Höhe: 70 cm.

Beautiful big and heavy statue of an OBA-king in bronze, from the BENIN region in Equatorial Africa. Beautiful of quality and amazing detail.
The king has the very characteristic BENIN features, with tribal figurations and carvings. He carries a ritual scepter and spear. The dress is fully decorated, bells hang on the skirt. On the head the king has a special crown. It is a powerful statue.

Benin was basically a city state around the city of Benin. It was the land of the Edovolk, who knew a predominantly urban civilization, like the Yoruba in the west, and unlike the Igbo in the east. The most important cities were Benin, Udo and Urhonigbe.

This large statue is high quality and made with the cire perdue technique, and is therefore unique in its kind. Beautifully detailed and it has a dark bronze patina. Due to the craft-primitive procedure

The Benin Bronzes are a group of more than a thousand metal plaques and sculptures that decorated the royal palace of the Kingdom of Benin in what is now modern-day Nigeria.[a] Collectively, the objects form the best known examples of Benin art, created from the thirteenth century onwards, by the Edo people, which also included other sculptures in brass or bronze, including some famous portrait heads and smaller pieces.

In 1897 most of the plaques and other objects were looted by British forces during a punitive expedition to the area as imperial control was being consolidated in Southern Nigeria.Two hundred of the pieces were taken to the British Museum, London, while the rest were purchased by other European museums. Today, a large number are held by the British Museum.Other notable collections are in Germany and the USA.

The Benin Bronzes led to a greater appreciation in Europe of African culture and art. Initially, it appeared incredible to the discoverers that people "supposedly so primitive and savage" were responsible for such highly developed objects.#6 Some even wrongly concluded that Benin knowledge of metallurgy came from the Portuguese traders who were in contact with Benin in the early modern period. In actual fact the Benin Empire was a hub of African civilization before the Portuguese traders visited and it is clear that the bronzes were made in Benin from an indigenous culture. Many of these dramatic sculptures date to the thirteenth century, centuries before contact with Portuguese traders, and a large part of the collection dates to the fifteenth and sixteenth centuries. It is believed that two "golden ages" in Benin metal workmanship occurred during the reigns of Esigie (fl. 1550) and of Eresoyen (1735–50), when their workmanship achieved its highest qualities.

While the collection is known as the Benin Bronzes, like most West African "bronzes" the pieces are mostly made of brass of variable composition.There are also pieces made of mixtures of bronze and brass, of wood, of ceramic, and of ivory, among other materials.

The metal pieces were made using lost-wax casting and are considered among the best sculptures made using this technique.